Aesthetically this film is an absolute joy to watch. Somehow though, my satisfaction with the story didn’t match my sensory pleasure.

~ Emma Slawinski -

Aesthetically this film is an absolute joy to watch. Somehow though, my satisfaction with the story didn’t match my sensory pleasure.

~ Emma Slawinski -

The film is so subtle and slow and internalised that it crystalises into a thing of beauty.

~ Angus Wolfe Murray -

The film is so subtle and slow and internalised that it crystalises into a thing of beauty.

~ Angus Wolfe Murray -

Kar-Wai avoids cultish gay stereotyping.

~ Angus Wolfe Murray -

Kar-Wai avoids cultish gay stereotyping.

~ Angus Wolfe Murray -

Wong Kar Wai knows how to frame faces like no other, with embroidered collars, white straw fedoras, a rowdy monkey, cotton flowers and words escaping lips that are like song.

~ Anne-Katrin Titze -

Wong Kar Wai knows how to frame faces like no other, with embroidered collars, white straw fedoras, a rowdy monkey, cotton flowers and words escaping lips that are like song.

~ Anne-Katrin Titze -

Wong's depiction of character is second to none.

~ Emma Slawinski -

Wong's depiction of character is second to none.

~ Emma Slawinski -

Each of these storylines wash over one another, refusing to take on a fully-fledged shape and yet they have a surprisingly cohesive cumulative effect.

~ Amber Wilkinson -

Each of these storylines wash over one another, refusing to take on a fully-fledged shape and yet they have a surprisingly cohesive cumulative effect.

~ Amber Wilkinson -

Moments are frozen into memory in a way that overrides context.

~ Chris -

Moments are frozen into memory in a way that overrides context.

~ Chris -